理论界
理論界
이론계
THEORY CIRCLE
2015年
2期
141-143,111
,共4页
鲍照%山水诗%奇崛%激烈动荡
鮑照%山水詩%奇崛%激烈動盪
포조%산수시%기굴%격렬동탕
鲍照的山水诗创作在继承谢灵运开创的规范的同时，基于自己的个性和审美倾向，努力追求一种激烈动荡的、不平稳的艺术效果，并通过追求奇崛精工的语言，以一种具有强烈刺激性的方式吸引读者的目光，给人以惊心动魄之感。这使他摆脱了谢灵运的阴影而展现了自己的特色。其对于整体诗境地塑造和情感投入更是让山水诗开始向谢脁的情景交融、以情驭景的方向前进，成为了二谢之间的一座桥梁。
鮑照的山水詩創作在繼承謝靈運開創的規範的同時，基于自己的箇性和審美傾嚮，努力追求一種激烈動盪的、不平穩的藝術效果，併通過追求奇崛精工的語言，以一種具有彊烈刺激性的方式吸引讀者的目光，給人以驚心動魄之感。這使他襬脫瞭謝靈運的陰影而展現瞭自己的特色。其對于整體詩境地塑造和情感投入更是讓山水詩開始嚮謝脁的情景交融、以情馭景的方嚮前進，成為瞭二謝之間的一座橋樑。
포조적산수시창작재계승사령운개창적규범적동시，기우자기적개성화심미경향，노력추구일충격렬동탕적、불평은적예술효과，병통과추구기굴정공적어언，이일충구유강렬자격성적방식흡인독자적목광，급인이량심동백지감。저사타파탈료사령운적음영이전현료자기적특색。기대우정체시경지소조화정감투입경시양산수시개시향사조적정경교융、이정어경적방향전진，성위료이사지간적일좌교량。
Bao Zhao’ s composition of landscape poetry carries the tradition that can be traced back to Xie Linyun.Meanwhile, based on his own characteristics and aesthetical attitude, he also strived to achieve a drastically unstable effect as well as peculiar and sophisticated wording, attracting readers in an extremely exciting way.By doing so, Bao Zhao managed to not live in the shadow of Xie Linyun and developed his personal style.His emotional devotion and shaping of the entire also enable to start developing towards inseparability of mood and circumstance, which is a major characteristic of Xie Tiao, bridging the two Xies.
