乐山师范学院学报
樂山師範學院學報
악산사범학원학보
JOURNAL OF LESHAN TEACHERS COLLEGE
2015年
1期
123-127
,共5页
绘事后素%论语%诗教%礼教%中和美%当代审美
繪事後素%論語%詩教%禮教%中和美%噹代審美
회사후소%론어%시교%례교%중화미%당대심미
Confucian Ultimate Simplicity and Chastity of Painting%The Analects%Confucius' Poetic and Moralization%Confucian Ethical Moralization%The Aesthetics of Neutrality%Contemporary Aesthetics
“绘事后素”出自《论语·八佾》子夏与孔子论诗，后世对其有多种阐释。文章立足于前人研究成果，进一步探究“绘事后素”的本义，并结合孔子的诗教、礼教思想，分析其蕴含的中和美及其当代审美意义。
“繪事後素”齣自《論語·八佾》子夏與孔子論詩，後世對其有多種闡釋。文章立足于前人研究成果，進一步探究“繪事後素”的本義，併結閤孔子的詩教、禮教思想，分析其蘊含的中和美及其噹代審美意義。
“회사후소”출자《론어·팔일》자하여공자론시，후세대기유다충천석。문장립족우전인연구성과，진일보탐구“회사후소”적본의，병결합공자적시교、례교사상，분석기온함적중화미급기당대심미의의。
“Confucian Ultimate Simplicity and Chastity of Painting” is from Confucius Bayi in The Analects. Later generations have a variety of interpretation on it. Based on previous studies, this article ex-plores the original meaning of “Confucian Ultimate Simplicity and Chastity of Painting”. Through combining the Confucius’ poetics and ethical moralization, it analyzes the aesthetics of neutrality and its significance in contemporary aesthetics.
