CAJ | 학술논문

为了弄清《淮南子》的文道关系，对《淮南子》之“道”作“形而上”和“形而下”的阐释。就形而上来说，《淮南子》之“道”是本体之道，《淮南子》称之为“一”；就形而下来说，是指具体的自然、社会中万物特殊的规律、法则。同时，《淮南子》也认为文艺是人的精神情感的表达，而人之“情”来源于人之“性”，“性”又本于“道”。这样就圆通地阐释了文道的关系，在本体论的视域中，赋予文艺以形而上的依据。把文、情、道纳入到一个统一的体系中，在中国文论史上第一次尝试性地进行儒道文艺观的融合，对后世的文艺思想有重要的影响。
위료롱청《회남자》적문도관계，대《회남자》지“도”작“형이상”화“형이하”적천석。취형이상래설，《회남자》지“도”시본체지도，《회남자》칭지위“일”；취형이하래설，시지구체적자연、사회중만물특수적규률、법칙。동시，《회남자》야인위문예시인적정신정감적표체，이인지“정”래원우인지“성”，“성”우본우“도”。저양취원통지천석료문도적관계，재본체론적시역중，부여문예이형이상적의거。파문、정、도납입도일개통일적체계중，재중국문론사상제일차상시성지진행유도문예관적융합，대후세적문예사상유중요적영향。
In order to interpret the relationships between literature and Dao in Huai Nan Zi,this paper probes into the connota-tions of Dao as metaphysics and physics. As far as metaphysics is concerned,Dao in Huai Nan Zi refers to Dao of noumenon, namely, “One”; As far as metaphysics is concerned,Dao in Huai Nan Zi some special rules and laws governing all things in nature and society. Meanwhile in Huai Nan Zi literature and arts are the expressions of people's spiritual feelings,and people's felings derives from people's personality and people's personality comes from Dao. In this way the relationships between litera-ture and Dao are explained clearly. From the perspective of noumenon theory,literature and Dao are endowed with the basis of metaphysics. Literature, feelings and Dao are brought into a unified system,which is the first integration of views on Confucian Dao,literature and arts.