鸡西大学学报
鷄西大學學報
계서대학학보
JOURNAL OF JIXI UNIVERSITY
2015年
3期
120-122
,共3页
语言批判%反传统叙事%“新主体性”文学
語言批判%反傳統敘事%“新主體性”文學
어언비판%반전통서사%“신주체성”문학
linguistic criticism%anti-traditional narrative%“new subjectivity” literature
作为后现代文学的风云人物,彼得?汉德克的创作历经了以早期“说话剧”的语言游戏来否定戏剧传统,到反传统叙事,再到寻求自我的“新主体性”文学。试以彼得?汉德克的三个创作时期为主线,结合其阶段性的代表作,廓清其文学创作的主要特点及对当代文学发展的广泛影响。
作為後現代文學的風雲人物,彼得?漢德剋的創作歷經瞭以早期“說話劇”的語言遊戲來否定戲劇傳統,到反傳統敘事,再到尋求自我的“新主體性”文學。試以彼得?漢德剋的三箇創作時期為主線,結閤其階段性的代錶作,廓清其文學創作的主要特點及對噹代文學髮展的廣汎影響。
작위후현대문학적풍운인물,피득?한덕극적창작력경료이조기“설화극”적어언유희래부정희극전통,도반전통서사,재도심구자아적“신주체성”문학。시이피득?한덕극적삼개창작시기위주선,결합기계단성적대표작,곽청기문학창작적주요특점급대당대문학발전적엄범영향。
The influential man of postmodern literature , Handke, whose creation passed through the process from early lan-guage game --"speaking drama"to the anti-traditional drama and anti -traditional narrative , and finally to the "new subjectiv-ity"literature.The article takes three creative periods of Handke as the main line , represents his periodical representative works , and clarifies his main characteristics of literary creation and extensive influence on the development of contemporary literature .