韶关学院学报
韶關學院學報
소관학원학보
JOURNAL OF SHAOGUAN UNIVERSITY（SOCIAL SCIENCE）
2015年
1期
44-47
,共4页
诗品%女性%品第%悲美
詩品%女性%品第%悲美
시품%녀성%품제%비미
Shipin%female%grades%sad beauty
《诗品》中共论及四位女性作家，分别置于上、中、下三品之中，形成了一个既相互独立又互相联系的微系统。这当中包含的品评标准很多，而以悲为美是一重要因素。这也体现了魏晋以来形成的美学思潮。
《詩品》中共論及四位女性作傢，分彆置于上、中、下三品之中，形成瞭一箇既相互獨立又互相聯繫的微繫統。這噹中包含的品評標準很多，而以悲為美是一重要因素。這也體現瞭魏晉以來形成的美學思潮。
《시품》중공론급사위녀성작가，분별치우상、중、하삼품지중，형성료일개기상호독립우호상련계적미계통。저당중포함적품평표준흔다，이이비위미시일중요인소。저야체현료위진이래형성적미학사조。
ShiPin mentions four female writers and they are divided into three different levels of grades. They constitute a kind of Microsystems, and in these systems they have commons as well as differences to each other. They are many kinds of evaluation standard of grade, but sadness is beauty is the most essential one in it. Yet can also reflect the ideological trend of aesthetic forming from Weijin dynasty.
