CAJ | 학술논문

苏联解体和东欧剧变之后，反马克思主义的观点在西方很盛行。对此，英国新马克思主义者伊格尔顿进行了无情驳斥。伊格尔顿倡导唯物主义美学观，认为人类审美活动是审美主体和审美客体之间建立的一种联系方式———它反映的是审美主体向审美客体的“切近”。他还高度肯定马克思追求审美内容和审美形式统一和要求将“伦理”审美化的美学思想，认为马克思主义美学是关于文化和文明的理论———它立足于现实，但总是向着崇高的理想攀越，内含崇高的伦理价值取向。
소련해체화동구극변지후，반마극사주의적관점재서방흔성행。대차，영국신마극사주의자이격이돈진행료무정박척。이격이돈창도유물주의미학관，인위인류심미활동시심미주체화심미객체지간건립적일충련계방식———타반영적시심미주체향심미객체적“절근”。타환고도긍정마극사추구심미내용화심미형식통일화요구장“윤리”심미화적미학사상，인위마극사주의미학시관우문화화문명적이론———타립족우현실，단총시향착숭고적이상반월，내함숭고적윤리개치취향。
After the collapse of the Soviet Union and the upheaval of East Europe, opinions of anti-Marxism pre-vailed in the West. Terry Eagleton, a Neo-Marxist of Britain, refuted those opinions mercilessly. He advocated materi-alistic aesthetics, holding that aesthetic activity is about establishing a contact between aesthetic agent and object to reflect the“approximation”from agent to object. Besides, he agreed to Marx’s standpoint of pursuing the unity be-tween aesthetic content and form and demanding the aesthetic appreciation of ethical aesthetics. In Eagleton ’s eye, Marxist aesthetics, with lofty ethical value-orientation, is a theory on culture and civilization, which has its root in re-ality but pursues lofty ideals.