学术探索
學術探索
학술탐색
ACADEMIC RESEARCH
2015年
1期
118-125
,共8页
形神观%气韵论%美学特征
形神觀%氣韻論%美學特徵
형신관%기운론%미학특정
the view of body and soul%the view of artistic conception%aesthetic characteristic
“形神”与“气韵”是中国古代绘画美学的核心范畴，二者能够高度概括中国古代绘画之美学精神及特征。由于二者均缘起于人物画，早期阶段均为人物画创作的美学要求，故二者有诸多相似之处；但若加以认真比较，可发现“气韵”论的美学内涵较之“形神”观要更加丰富，下文将对二者进行深入探讨。
“形神”與“氣韻”是中國古代繪畫美學的覈心範疇，二者能夠高度概括中國古代繪畫之美學精神及特徵。由于二者均緣起于人物畫，早期階段均為人物畫創作的美學要求，故二者有諸多相似之處；但若加以認真比較，可髮現“氣韻”論的美學內涵較之“形神”觀要更加豐富，下文將對二者進行深入探討。
“형신”여“기운”시중국고대회화미학적핵심범주，이자능구고도개괄중국고대회화지미학정신급특정。유우이자균연기우인물화，조기계단균위인물화창작적미학요구，고이자유제다상사지처；단약가이인진비교，가발현“기운”론적미학내함교지“형신”관요경가봉부，하문장대이자진행심입탐토。
The view of body and soul and that of artistic conception are core categories of ancient Chinese painting,both of which can generalize the aesthetic spirit and characteristics of ancient Chinese painting.As both of them originated from figure painting,and were the aesthetics requirement of figure painting at the early stage,they have many resemblances.But a careful comparison will find that the aesthetic connotation of the view of artistic conception is richer than that of body and soul.This pa-per will explore them in depth.
