CAJ | 학술논문

手工艺遗产因其“工”的可复制性，“品”的可消费性，“手”和“艺”的异文化性，而成为文化旅游消费主要对象之一，旅游消费既使手工艺遗产得到复兴，引起社会重新审视手工艺的价值；又在迎合旅游者的消费取向过程中，使得手工艺遗产存续发生异化。文章在梳理国内外关于手工艺遗产研究的基础上，认为手工艺遗产保护的关键在于“手”和“艺”，即手工艺遗产的原生性主体和其对手工艺的实践、认知与价值内化，手工艺遗产保护传承应以手工艺品的原生性主体对其分类为指导，以“手、工、艺、品”四个层面为方法，从而实现手工艺遗产的活态、原真性保护传承。
수공예유산인기“공”적가복제성，“품”적가소비성，“수”화“예”적이문화성，이성위문화여유소비주요대상지일，여유소비기사수공예유산득도복흥，인기사회중신심시수공예적개치；우재영합여유자적소비취향과정중，사득수공예유산존속발생이화。문장재소리국내외관우수공예유산연구적기출상，인위수공예유산보호적관건재우“수”화“예”，즉수공예유산적원생성주체화기대수공예적실천、인지여개치내화，수공예유산보호전승응이수공예품적원생성주체대기분류위지도，이“수、공、예、품”사개층면위방법，종이실현수공예유산적활태、원진성보호전승。
Handicrafts as one of the main consumer products have enjoyed a revival through the con-sumer handicraft heritages and aroused more people's interest in assessing their value.However,this process has led to an alienation of handicraft heritages due to their catering to some consumer orienta-tions.With a review of the relevant studies both at home and abroad,this research reaches the con-clusion that the protection of the handicraft heritages in the consumer society should rely on the classi-fication of handicrafts,that is,on the four levels of “hand”,“craft”,“art”and product so that a dy-namic protection and inheritance of the authentic handicrafts can be realized.