CAJ | 학술논문

运用德国戏剧符号学家Manfred Pfister的戏剧语言“多功能性”理论，对戏剧话语所隐含的六大功能：指称功能、表情功能、诉求功能、寒暄功能、元语言功能和诗学功能作分析研究，指出戏剧翻译者要注重对源语和译入语在语言功能方面的差异研究，最大限度地再现戏剧源语言信息的功能。
운용덕국희극부호학가Manfred Pfister적희극어언“다공능성”이론，대희극화어소은함적륙대공능：지칭공능、표정공능、소구공능、한훤공능、원어언공능화시학공능작분석연구，지출희극번역자요주중대원어화역입어재어언공능방면적차이연구，최대한도지재현희극원어언신식적공능。
The present paper gives a general survey of six language functions implied in dramatic discourse by applying the theory of“Polyfunctionality” put forward by Manfred Pfister, a German dramatic semiotician. These functions include referencial function, expressive function, appellative function, phatic function, metalingual function and poetic function. It is argued that drama transla-tors should make a study of the differences in language functions between source language and target language so as to reproduce the functions of original dramatic language to the utmost extent.