CAJ | 학술논문

风格分析法是现代西方艺术研究的重要方法之一，它关注于作品的形式、手法和风格等问题的阐释。沃尔夫林在《美术史的基本概念》中提出了“线描与涂绘”、“平面与纵深”、“封闭的形与开放的形”、“多样性与同一性”和“清晰性与模糊性”这五对风格范畴，概括了文艺复兴风格向巴洛克艺术的转化。本文通过《哀悼基督》这一主题，运用五对范畴试图总结其形式分析的特点，并探讨风格学方法在不同阶段的适用性、合理性问题。
풍격분석법시현대서방예술연구적중요방법지일，타관주우작품적형식、수법화풍격등문제적천석。옥이부림재《미술사적기본개념》중제출료“선묘여도회”、“평면여종심”、“봉폐적형여개방적형”、“다양성여동일성”화“청석성여모호성”저오대풍격범주，개괄료문예복흥풍격향파락극예술적전화。본문통과《애도기독》저일주제，운용오대범주시도총결기형식분석적특점，병탐토풍격학방법재불동계단적괄용성、합이성문제。
Stylistics is one of the important methods of modern Western art research that focuses on the interpreta-tion of the works of the form,technique and style and other issues.Wolfflin proposed five categories as “line draw-ing and painted”,“plane and depth”,“closed form and an open form”,“diversity and unity”and “clarity and fuzziness ”in the “Principles of Art History”.It generalizes the transformation from Renaissance to Baroque art. We try to summarize the characteristics of Stylistics in the use of the five Categories and explore the problem of ap-plicability and rationality in different periods through the theme of “The Mourning of Christ”in this paper.