CAJ | 학술논문

鲁迅创作与“五四”文学理论的错位主要体现在形式、内容和时间三个方面。形式上，白话文运动的推广带来了文学工具性的重蹈，而鲁迅的小说创作在实现通顺明白的目标之外，还以多样化的文学样式探索文学的本体性发展；在内容上，新文学的建设是以反叛传统为起点的，但在鲁迅小说中，传统文化以其巨大的吸附性赋予了人物斩不断的民族劣根性，从而造成了中西方文化的话语断层；在时间上，鲁迅虽被誉为“新文学主将”，但他在文学理论的初创期并不十分活跃，其文学创作滞后于文学理论的提出。
로신창작여“오사”문학이론적착위주요체현재형식、내용화시간삼개방면。형식상，백화문운동적추엄대래료문학공구성적중도，이로신적소설창작재실현통순명백적목표지외，환이다양화적문학양식탐색문학적본체성발전；재내용상，신문학적건설시이반반전통위기점적，단재로신소설중，전통문화이기거대적흡부성부여료인물참불단적민족렬근성，종이조성료중서방문화적화어단층；재시간상，로신수피예위“신문학주장”，단타재문학이론적초창기병불십분활약，기문학창작체후우문학이론적제출。
The deviations between Lu Xun′s writing and “May 4th literatury”theory are mainly lie in three as-pects—form,content and time.In the form,the generalization of the vernacular movement has repeated the “the literary tool theory”,whereas,Lu Xun′s novels have realized the purpose of coherence and clarity and explored the development of the literature itself by a variety of literary style simultaneously.In the content,the origin of new lit-erature construction was to rebel the traditional culture,however,in Lu Xun′s novels,traditional culture endows the characters with deeply rooted bad habits that could not be easily cut off,resulting in the fault of the enlighten-ment;In the time,Lu Xun′s creation is far behind the theory of literature.