CAJ | 학술논문

审丑意识作为对传统价值观、审美观的反叛成为了20世纪文化、艺术创作的主流。日本战后派作家安部公房的作品通过一系列审丑式的描写，深刻地揭露了人性鄙俗、丑恶、虚伪却又空虚、无助的一面。在长篇小说《方舟樱花号》中，安部公房用审丑性的笔触描写了一个围绕着核战争防御避难所——“方舟”领导权争夺的滑稽而荒诞的故事，进一步探讨了被现实世界所胁迫、异化着的人的生存境况。
심축의식작위대전통개치관、심미관적반반성위료20세기문화、예술창작적주류。일본전후파작가안부공방적작품통과일계렬심축식적묘사，심각지게로료인성비속、축악、허위각우공허、무조적일면。재장편소설《방주앵화호》중，안부공방용심축성적필촉묘사료일개위요착핵전쟁방어피난소——“방주”령도권쟁탈적활계이황탄적고사，진일보탐토료피현실세계소협박、이화착적인적생존경황。
A consciousness of ugliness entered the mainstream of culture and artistic creation in the 20th century as a rebellion against traditional values and aesthetics. With a series of depictions of ugliness, KōbōAbe, a postwar Japanese writer, has profoundly revealed the vulgarity, ugliness, hypocrisy but emptiness and helplessness of humanity in his works. In the novel TheArkSakura, Abe depicts the ugliness of a refuge of nuclear war defenses, a funny and absurd story about the contention of the“Ark”leadership, which further explores the human survival situation under the stress and alienation from the real world.