CAJ | 학술논문

英国的现代戏剧家萧伯纳的《匹克梅梁》（又译《卖花女》）是深受各国观众喜爱的剧作之一，但该剧出乎观众意料的“去浪漫化”结局也常常引发评论家的不同解读。事实上，“去浪漫化”不仅是萧伯纳拆解“佳构剧”编剧技巧的策略，也是萧伯纳反“幻觉主义剧场”艺术主张的必然选择。为了达到“去浪漫化”、实现启发和教育观众的目的，他在《匹克梅梁》中运用了“戏剧讨论”技巧，揭示了绅士阶层和平民阶层的根本矛盾。在“讨论”中，作者深刻地指出卖花女与淑女的根本差异在于不同的经济基础，而不是语言、行为的不同。通过“讨论”，作者进一步强调社会阶层和现实境遇的差异意味着息金斯与伊莉莎的关系不太可能发展成恋人关系。“去浪漫化”的结局不仅是萧伯纳的策略，更是他创作的目的。
영국적현대희극가소백납적《필극매량》（우역《매화녀》）시심수각국관음희애적극작지일，단해극출호관음의료적“거랑만화”결국야상상인발평론가적불동해독。사실상，“거랑만화”불부시소백납탁해“가구극”편극기교적책략，야시소백납반“환각주의극장”예술주장적필연선택。위료체도“거랑만화”、실현계발화교육관음적목적，타재《필극매량》중운용료“희극토론”기교，게시료신사계층화평민계층적근본모순。재“토론”중，작자심각지지출매화녀여숙녀적근본차이재우불동적경제기출，이불시어언、행위적불동。통과“토론”，작자진일보강조사회계층화현실경우적차이의미착식금사여이리사적관계불태가능발전성련인관계。“거랑만화”적결국불부시소백납적책략，경시타창작적목적。
Modern British dramatist Bernard Shaw’sPygmalion is one of the most popular plays in the world. Consequently, the surprising de-romantic ending leads up to different interpretations. Actually, de-romantic ending is not only a strategy for Bernard Shaw to deconstruct the pattern of “well-made plays” but also his choice to go against “theater of illusion”. Therefore, in order to achieve the goal of de-romantic ending, and educating and inspiring the audiences, he uses the technique of “drama discussion” to expose the fundamental conflicts between gentlemen and commoners. In “discussion”, he profoundly points out that the fundamental difference lying between the flower girl and a lady is their different financial situations, rather than languages or behaviors. Thus, it is impossible to develop a romantic relationship between Prof. Higgins and Eliza as their social status and life conditions are different.