CAJ | 학술논문

大桃儿沟石窟位于吐鲁番盆地火焰山西段的大桃儿沟内，现存10个洞窟，是一处藏传佛教石窟。其中，第9窟两侧壁为八十四位大成就者图像。与西藏江孜白居寺以及莫高窟第465窟四壁下部的大成就者图像对比可知，大桃儿沟第9窟的图像与莫高窟第465窟更加接近，均出现了执镜师的图像（不见于江孜白居寺）。这隐约表明它们的绘画底本为同一个版本，可见莫高窟第465窟八十四大成就者图像是大桃儿沟第9窟的源头，这是宋元时期藏传佛教向西传播的一个鲜明例证。
대도인구석굴위우토로번분지화염산서단적대도인구내，현존10개동굴，시일처장전불교석굴。기중，제9굴량측벽위팔십사위대성취자도상。여서장강자백거사이급막고굴제465굴사벽하부적대성취자도상대비가지，대도인구제9굴적도상여막고굴제465굴경가접근，균출현료집경사적도상（불견우강자백거사）。저은약표명타문적회화저본위동일개판본，가견막고굴제465굴팔십사대성취자도상시대도인구제9굴적원두，저시송원시기장전불교향서전파적일개선명예증。
The Great Peach Valley Grottoes site is located in the Great Peach Valley in the western section of the Flaming Mountains of the Turfan Basin. Ten Tibetan Buddhist caves survive at the site. The two sidewalls of Cave 9 are covered with the images of eighty-four Mahasiddhas. A comparison with the paintings in the Phalkor Monastery in Gyantse, Tibet, and those in Cave 465 at the Mogao Grottoes suggests that the images found in Cave 9 are more similar to those in the Mogao Grottoes. For example, the image of the Mirror-Holding Master appeared in both the Great Peach Valley Grottoes and the Mogao Grottoes, but not in the Phalkor Monastery. This seems to indicate that the images under discussion were based on the same draft, and that the images in the Great Peach Valley Grottoes originated from those of Mogao Cave 465. This also clearly verifies the westward dissemination of Tibetan Buddhism in the Song and Yuan dynasties.