鞍山师范学院学报
鞍山師範學院學報
안산사범학원학보
JOURNAL OF ANSHAN TEACHERS COLLEGE
2014年
6期
96-99
,共4页
构图%审美%布势%章法%对比
構圖%審美%佈勢%章法%對比
구도%심미%포세%장법%대비
Patterned cloth%Aesthetic%Potential%Tricks%Contrast
传统中国画构图讲究经营位置、置陈布势,构图理念来自于老庄禅宗的哲学思想,它以一系列虚实、疏密、主宾、取舍、玄空等对比理论作为内在的形式法则,通过审美对照,把握构图的形式美感,解读中国画独特的构图方式。
傳統中國畫構圖講究經營位置、置陳佈勢,構圖理唸來自于老莊禪宗的哲學思想,它以一繫列虛實、疏密、主賓、取捨、玄空等對比理論作為內在的形式法則,通過審美對照,把握構圖的形式美感,解讀中國畫獨特的構圖方式。
전통중국화구도강구경영위치、치진포세,구도이념래자우로장선종적철학사상,타이일계렬허실、소밀、주빈、취사、현공등대비이론작위내재적형식법칙,통과심미대조,파악구도적형식미감,해독중국화독특적구도방식。
Traditional Chinese painting composition pays attention to the operating position,Chen Chi deploy-ment and philosophy composition idea from Lao Zhuang Zen. It takes a series of actual situation,density,the guest of honor,choice,such as internal Xuankong contrast theory form rule,by contrast,to grasp the aesthetic form of composition,and the interpretation of the unique Chinese painting composition.