CAJ | 학술논문

音乐感知研究发现，多数人会出现显著的加工偏好。音乐感知“整体—局部”加工偏好的行为与生理依据的相关研究表明，音乐感知研究经历了三种范式的变迁。总体上，听觉通道中存在整体加工偏好和局部干扰，听觉加工中具有时间与效率的水平启动效应，视听通道的整合具有一致性效应。但是，在视听类比中又存在视听刺激的时序性差异和语义启动的可能，并由此引发相关记忆与情绪。音乐感知研究需要注重范式、取向的多维度，尝试在“跨通道间代偿”假设下进行研究。
음악감지연구발현，다수인회출현현저적가공편호。음악감지“정체—국부”가공편호적행위여생리의거적상관연구표명，음악감지연구경력료삼충범식적변천。총체상，은각통도중존재정체가공편호화국부간우，은각가공중구유시간여효솔적수평계동효응，시은통도적정합구유일치성효응。단시，재시은류비중우존재시은자격적시서성차이화어의계동적가능，병유차인발상관기억여정서。음악감지연구수요주중범식、취향적다유도，상시재“과통도간대상”가설하진행연구。
The researches of music perception find that most people show their notable processing preferences.The related re-searches on the behaviors and physiological basis show that, the study of music perception has undergone the changes of three para-digms.In all, there exist global processing preference and local disturbance in auditory channel, and the effect of time and efficiency level starts in audio processing, and the integration of audio-visual channel has congruent effect.But, there are time sequence differ-ence of AVSS and possibility of semantic priming in Audio-Visual analogy, which initiate related memory and mood.The study of music perception need stress the multi-dimension of paradigms and orientation, and try to study on the hypothesis of Cross-Channel compensation.