CAJ | 학술논문

汉末建安时期，迎来了乐府诗发展史上文人拟作的第一个高潮，以“三曹”为代表，他们的拟作对汉乐府进行了全面的继承，在新的社会形势下，他们还通过自身实践使汉乐府有了很大的发展。“三曹”乐府诗创作之所以取得如此伟大的成就，形成如此深远的影响，与这种批判地继承密不可分。“三曹”乐府诗对汉乐府的继承与发展具体表现在句式篇幅、题材内容和表现手法等三个方面。
한말건안시기，영래료악부시발전사상문인의작적제일개고조，이“삼조”위대표，타문적의작대한악부진행료전면적계승，재신적사회형세하，타문환통과자신실천사한악부유료흔대적발전。“삼조”악부시창작지소이취득여차위대적성취，형성여차심원적영향，여저충비판지계승밀불가분。“삼조”악부시대한악부적계승여발전구체표현재구식편폭、제재내용화표현수법등삼개방면。
Ushering in the first climax of development of the Han Yuefu Poetry during Jian’ an period in the Han dynasty. "Three Poetries named Cao", as the representative of the Han Yuefu Poetry , intended to conduct a comprehensive inheritance under the new social situation. They made the Han Yuefu Poetry further development through their own efforts. The poems created by the"Three Poetries named Cao" had obtained great achievements due to their critically inheritance , which is shown in three aspects:the sentence patterns and length, the subject matter and the expressions.