CAJ | 학술논문

《穆斯林的葬礼》作者霍达以一个回族的玉器世家梁家作为故事的根基，以“月”和“玉”为中心构成两条线索平行推进又交叉铺叙，将两个完整独立又相互缠绕的爱情故事娓娓道来，抒写了在混乱的社会背景下，玉器世家第一、二代人梁亦清及其弟子韩子奇与梁君璧、梁冰玉的人生悲剧。在《穆斯林的葬礼》中，玉的意象频频出现，整理并分析那些推动了情节发展的重要玉器，借此角度重新审阅这一小说的行文结构与情节设置手法。
《목사림적장례》작자곽체이일개회족적옥기세가량가작위고사적근기，이“월”화“옥”위중심구성량조선색평행추진우교차포서，장량개완정독립우상호전요적애정고사미미도래，서사료재혼란적사회배경하，옥기세가제일、이대인량역청급기제자한자기여량군벽、량빙옥적인생비극。재《목사림적장례》중，옥적의상빈빈출현，정리병분석나사추동료정절발전적중요옥기，차차각도중신심열저일소설적행문결구여정절설치수법。
In The Muslim Funeral,the author Huo Da invented a Jade aristocratic family of the Hui Minority,the Liang family,as the story foundation,adopted the expression technique of two parallel clues and intercross promo-tion of the plots to describe the two independent and twisted love stories,centering around the moon and the jade. The stories displayed the first two generations of jade family,Liang Yiqing and his disciples Han Ziqi and Liang Junbi,Liang Bingyu's life tragedy in the chaos of the society.In The Muslim Funeral,the imagery of jades ap-peared frequently.This thesis analyzed those important jades which pushed the story plots to develop and reviewed the context structures and plot expression techniques of the stories based on the jade imagery.