CAJ | 학술논문

巴蜀传统山地园林因其深厚的历史文化底蕴和自成一派园林艺术表现风格，在中国传统园林中独树一帜。文章通过对巴蜀地区白帝城、张飞庙、峨眉山清音阁等山地园林造园手法的分析研究，总结了真山真水、多维多向、曲折开合、因势就形、雅野自成的传统山地园林的内在“匠心”，提出了形态、生态、业态、情态综合作用的山地景观适应性设计思想，以期对当今山地园林的营造提供理论依据和经验借鉴，也对未来山地景观的规划设计工作有所裨益。
파촉전통산지완림인기심후적역사문화저온화자성일파완림예술표현풍격，재중국전통완림중독수일치。문장통과대파촉지구백제성、장비묘、아미산청음각등산지완림조완수법적분석연구，총결료진산진수、다유다향、곡절개합、인세취형、아야자성적전통산지완림적내재“장심”，제출료형태、생태、업태、정태종합작용적산지경관괄응성설계사상，이기대당금산지완림적영조제공이론의거화경험차감，야대미래산지경관적규화설계공작유소비익。
Traditional Bashu mountainous landscape becomes unique among the traditional Chinese landscape owing to its profound cultural foundation and original artistic style. The paper summarizes the inner meaning of mountainous landscape, including realistic environment, multidimensional space, tortuous opening and closing, designs according to landform and symbiotic elegance, through analysis and researches of the traditional landscape, such as the Baidi Town, Zhang Fei Temple, Shibao Stockaded Village and Qingyin Pavilion on Mount Emei. It proposes the idea of adaptable landscape designs with morphology, ecology, format and modality, intending to provide theoretical base and experience for current designs of traditional mountainous landscape, and contribute to the planning and designs of mountainous landscape in the future.