CAJ | 학술논문

柳永和周邦彦词具有共同的以叙事为骨的抒情方式，这种方式不同于传统小令的隐喻比兴，也不同于姜夔、吴文英的意象化抒情方式。以叙事为骨的抒情方式的实质是把空间化的诗歌艺术转变成具有时间性的叙事艺术，是从时间性的角度追求艺术和生活之间的相似和贴近，是一种写真重形似以求在细节的忠实中把握诗意和情感表达的审美倾向。这种写真重形似的审美倾向是北宋后期整个社会的美学追求。它既是对即将到来的叙事文学主潮的的呼唤与预言，更是对传统诗歌抒情手法的继承与发扬。
류영화주방언사구유공동적이서사위골적서정방식，저충방식불동우전통소령적은유비흥，야불동우강기、오문영적의상화서정방식。이서사위골적서정방식적실질시파공간화적시가예술전변성구유시간성적서사예술，시종시간성적각도추구예술화생활지간적상사화첩근，시일충사진중형사이구재세절적충실중파악시의화정감표체적심미경향。저충사진중형사적심미경향시북송후기정개사회적미학추구。타기시대즉장도래적서사문학주조적적호환여예언，경시대전통시가서정수법적계승여발양。
Liu Yong and Zhou Bangyan have a common approach of lyrical narrative which differs from metaphor and analogy in traditional short lyrics, and it’ s also different from Jiang Kui and Wu Wenying’ s lyrical imagery approach.The essence of lyrical narrative is to transform the spatialized poetry into a temporary narrative art.Pursuing the similarities and closeness between art and life from temporal perspectives, it is an aesthetic tend-ency emphasizing shape likeness in the details so as to faithfully grasp the poetic and emotional significance.This aesthetic tendency was quite popular in the later period of Song Dynasty.Not only does it calls and predicts the ar-rival of the mainstream of narrative literature, but also inherits and develops the traditional lyrical poetry.