山西大同大学学报(社会科学版)
山西大同大學學報(社會科學版)
산서대동대학학보(사회과학판)
JOURNAL OF SHANXI DATONG UNIVERSITY(SOCIAL SCIENCE)
2015年
2期
36-42
,共7页
云冈石窟%交脚造像%渊源%类型%内涵
雲岡石窟%交腳造像%淵源%類型%內涵
운강석굴%교각조상%연원%류형%내함
Yungang%figure with ankles crossed%origin%type%conntation
云冈石窟中的交脚造像具有数量众多、形制齐全和内涵丰富的鲜明特色。通过分析交脚造像的渊源、云冈交脚造像类型和交脚造像的文化内涵,辨明学界中有关交脚造像身份的观点和看法,进而丰富中国石窟造像中“云冈模式”的文化内涵。
雲岡石窟中的交腳造像具有數量衆多、形製齊全和內涵豐富的鮮明特色。通過分析交腳造像的淵源、雲岡交腳造像類型和交腳造像的文化內涵,辨明學界中有關交腳造像身份的觀點和看法,進而豐富中國石窟造像中“雲岡模式”的文化內涵。
운강석굴중적교각조상구유수량음다、형제제전화내함봉부적선명특색。통과분석교각조상적연원、운강교각조상류형화교각조상적문화내함,변명학계중유관교각조상신빈적관점화간법,진이봉부중국석굴조상중“운강모식”적문화내함。
The figure with ankles crossed in Yungang is characteristic with thriving population, complete form and abundant connotation.In order to enhance the cultural connotation of Yungang pattern, The text not only analyzes the origin and type of figures with ankles crossed, but also its cultural connotation. At the same time, It shows some bright lights on the identification of figure with ankles crossed.