CAJ | 학술논문

由于早期的文学与社会关系紧密，文学理论的早期研究范式大多是从文学与社会的关系入手，这种文学观念把文学看作是对象现实的模仿、再现或反映。到了现代文学理论中，文学理论研究出现了语言学转向，形成了新的理论范式，以俄国形式主义、新批评和结构主义为代表。到了所谓的后现代的文学理论中，由于图像文化的勃兴，又出现了文学理论的新的转向，即图像转向。到目前为止，我们的文学理论研究就出现了两次转向，大致存在着文学社会学、文学语言学和文学图像学这三种理论形态。
유우조기적문학여사회관계긴밀，문학이론적조기연구범식대다시종문학여사회적관계입수，저충문학관념파문학간작시대상현실적모방、재현혹반영。도료현대문학이론중，문학이론연구출현료어언학전향，형성료신적이론범식，이아국형식주의、신비평화결구주의위대표。도료소위적후현대적문학이론중，유우도상문화적발흥，우출현료문학이론적신적전향，즉도상전향。도목전위지，아문적문학이론연구취출현료량차전향，대치존재착문학사회학、문학어언학화문학도상학저삼충이론형태。
Because of the close relationship between literature and society in the early time, the study of the literary theory paradigm mostly began from the relationship between literature and society. This literary idea takes literature as the imitation, reproduction or relfection of reality. In modern times, literary theory witnessed a linguistic turn, forming a new theory paradigm, such as Russian formalism and New Critics in Britain and America. In post-modern literary theory, with the development of picture civilization, literary theory began its new turn–the picture turn. Up to now, literary theory has experienced two turns, existing in three theoretical forms:literary sociology, literary linguistics and literary iconology.