成都理工大学学报（社会科学版）
成都理工大學學報（社會科學版）
성도리공대학학보（사회과학판）
JOURNAL OF CHENGDU UNIVERSITY OF TECHNOLOGY(SOCIAL SCIENCES)
2015年
3期
47-51
,共5页
莱辛%历史真实%人物性格%教育意义%古典个性
萊辛%歷史真實%人物性格%教育意義%古典箇性
래신%역사진실%인물성격%교육의의%고전개성
Lessing%historical reality%character%educational meaning%classical personality
伏尔泰认为真实是美的第一要素，戏剧情节要符合历史的实际；莱辛则认为性格才是戏剧表现的重心，作品为了表现性格可以改编历史。莱辛对人物性格的强调与他试图要建立市民悲剧的主张联系起来。伏尔泰的戏剧观以启蒙时代的理性主义为基础；莱辛对戏剧的认识则以古希腊特别是以亚里士多德的诗学理论为根基。在启蒙大潮中，莱辛思想的古典色彩与之保持着一定的距离。
伏爾泰認為真實是美的第一要素，戲劇情節要符閤歷史的實際；萊辛則認為性格纔是戲劇錶現的重心，作品為瞭錶現性格可以改編歷史。萊辛對人物性格的彊調與他試圖要建立市民悲劇的主張聯繫起來。伏爾泰的戲劇觀以啟矇時代的理性主義為基礎；萊辛對戲劇的認識則以古希臘特彆是以亞裏士多德的詩學理論為根基。在啟矇大潮中，萊辛思想的古典色綵與之保持著一定的距離。
복이태인위진실시미적제일요소，희극정절요부합역사적실제；래신칙인위성격재시희극표현적중심，작품위료표현성격가이개편역사。래신대인물성격적강조여타시도요건립시민비극적주장련계기래。복이태적희극관이계몽시대적이성주의위기출；래신대희극적인식칙이고희석특별시이아리사다덕적시학이론위근기。재계몽대조중，래신사상적고전색채여지보지착일정적거리。
Voltaire regarded the truthfulness to history as the primary principle of a drama,and the plot of the drama must conform with historical reality,while Lessing regarded the character as the core of a drama,and the history could be adapted for revealing the character.Lessing’s stress on the character connected with his advocation for the civil tragedy.Voltaire’s conception of the drama was based on the rationalism in the Enlightenment era,whereas Lessing’conception of the drama was based on the poetics of ancient Greek,especially on Aristotle’s poetics.Lessing maintained the classic elements in his thought and kept a certain distance from the Enlightenment in his reflection upon it.
