CAJ | 학술논문

蒲松龄与果戈理均为世界文学史中的伟大作家，他们的创作皆吸取了其本民族的民间文化与文学精髓，这在《聊斋志异》与《狄康卡近乡夜话》中表现得尤为明显。在蒲松龄《白秋练》与果戈理《五月的夜》中塑造了具有浓厚民族文化、原初信仰与生命观念的“白秋练”与“女水鬼”，在形象塑造及本民族生命观念的表达上，两位作家既有部分契合，又各有千秋。
포송령여과과리균위세계문학사중적위대작가，타문적창작개흡취료기본민족적민간문화여문학정수，저재《료재지이》여《적강잡근향야화》중표현득우위명현。재포송령《백추련》여과과리《오월적야》중소조료구유농후민족문화、원초신앙여생명관념적“백추련”여“녀수귀”，재형상소조급본민족생명관념적표체상，량위작가기유부분계합，우각유천추。
Based on detailed and reliable documentations,this paper,on the one hand, gives a diachronic description research on the translation and dissemina-tion of Liao Zhai Zhi Y i in the English world from 1842 to 1949,and discusses the different characteristics of two periods synchronically,on the other,in an at-tempt to expound the reception psychology of the canonization of Liao Zhai Zhi Y i. As a successful model of Chinese literature works going out,Liao Zhai Zhi Y i is helpful to contemporary Chinese literature's dissemination abroad,and its reception status also provokes us to rethink the misreading of Chinese image caused by oriental imagination from the west.