CAJ | 학술논문

文章以20世纪西方出现的神话原型批评理论，综合人类学、文化学和心理学对意象中的人类的共同的无意识进行探究，以王维诗歌中的“门”意象为例追根溯源，从“门”这个语词的原始意义、变迁的文化意义到诗学意义的回归，阐述关于“门”意象在中国文化中的发展变迁，且对诗歌及人类心理的无意识影响。
문장이20세기서방출현적신화원형비평이론，종합인류학、문화학화심이학대의상중적인류적공동적무의식진행탐구，이왕유시가중적“문”의상위례추근소원，종“문”저개어사적원시의의、변천적문화의의도시학의의적회귀，천술관우“문”의상재중국문화중적발전변천，차대시가급인류심리적무의식영향。
Based on the theory of Myth-archetype Criticism arising in western countries during 20th century, the present study aims at probing into the image"door"in the poems by Wang Wei from the perspective of the orig-inal meaning of door, the development of cultural meaning to the return of its poetic meaning, elaborating the un-conscious effects and influence of the image"door"on human psychology in Chinese cultural history by combining the researches of common human unconsciousness on images in the study of humantity, culture and psychology.