浙江师范大学学报（社会科学版）
浙江師範大學學報（社會科學版）
절강사범대학학보（사회과학판）
JOURNAL OF ZHEJIANG NORMAL UNIVERSITY(SOCIAL SCIENCES)
2015年
2期
42-47
,共6页
艾青%画论%人民性%抒情
艾青%畫論%人民性%抒情
애청%화론%인민성%서정
Ai Qing%theory of painting%affinity to people%lyric
艾青作为20世纪文学史上的著名诗人已为人们所接受，其诗歌艺术及诗论得到较多的研究，但鲜有人论及艾青的画论。艾青的画论经历了三个时期，显著的特点是：绘画题材的人民性；表现形式上注重写实，同时富有自己的主观感情；强调绘画与政治、宣传的密切关系；他对待国画改造的态度，亦是中国现代绘画史的缩影。艾青的画论对其诗论和诗歌创作产生过较大的影响，但同时他的诗作充满了自我主体的抒情性。他的画论与诗论的人民性、政论性、诗歌书写的自我主体的抒情性之间的紧张关系，见证了一个时代的文人之运命。
艾青作為20世紀文學史上的著名詩人已為人們所接受，其詩歌藝術及詩論得到較多的研究，但鮮有人論及艾青的畫論。艾青的畫論經歷瞭三箇時期，顯著的特點是：繪畫題材的人民性；錶現形式上註重寫實，同時富有自己的主觀感情；彊調繪畫與政治、宣傳的密切關繫；他對待國畫改造的態度，亦是中國現代繪畫史的縮影。艾青的畫論對其詩論和詩歌創作產生過較大的影響，但同時他的詩作充滿瞭自我主體的抒情性。他的畫論與詩論的人民性、政論性、詩歌書寫的自我主體的抒情性之間的緊張關繫，見證瞭一箇時代的文人之運命。
애청작위20세기문학사상적저명시인이위인문소접수，기시가예술급시론득도교다적연구，단선유인론급애청적화론。애청적화론경력료삼개시기，현저적특점시：회화제재적인민성；표현형식상주중사실，동시부유자기적주관감정；강조회화여정치、선전적밀절관계；타대대국화개조적태도，역시중국현대회화사적축영。애청적화론대기시론화시가창작산생과교대적영향，단동시타적시작충만료자아주체적서정성。타적화론여시론적인민성、정론성、시가서사적자아주체적서정성지간적긴장관계，견증료일개시대적문인지운명。
Ai Qing has been accepted by the people as a famous poet in the 20th Century literary history. There have been many studies for his art of poetry and poetics, but Ai Qing’ s theory of painting has been sel-dom mentioned.There are three periods in his theory of painting which can be characterized by the following notable features:the affinity to people;focusing on realistic form of expression, and full of their own subjec-tive feelings; emphasizing the close relationship between painting and political propaganda; his attitude of treating traditional Chinese painting renovation is also a microcosm of the history of modern Chinese painting. Ai Qing’ s theory of painting had great influence on his thought of poetry and poetry creation, but there was full of self-lyricism in his poems.The tension between the affinity to people together with political comments on the theory of painting and poetics and the self-lyricism in his poetry writing witnessed a writer’ s destiny in the great time.
