CAJ | 학술논문

莫言的叙“史”小说依托中国20世纪的历史，还原裹挟于历史洪流中的民间生存本相，让读者在荒诞中品味到庄严。在《丰乳肥臀》中，作者借助一个患有“恋乳癖”的主人公——上官金童的独特视角对民间历史进行回望，开创了独具一格的历史叙事诗学。研究探讨小说文本的历史化叙事指向，分析其基于“人学”的平民史观以及历史叙事模式背后的文化隐喻，期冀让读者了解复杂、多维的历史语境与症结，更准确地把握莫言的历史价值观与文学创作。
막언적서“사”소설의탁중국20세기적역사，환원과협우역사홍류중적민간생존본상，양독자재황탄중품미도장엄。재《봉유비둔》중，작자차조일개환유“련유벽”적주인공——상관금동적독특시각대민간역사진행회망，개창료독구일격적역사서사시학。연구탐토소설문본적역사화서사지향，분석기기우“인학”적평민사관이급역사서사모식배후적문화은유，기기양독자료해복잡、다유적역사어경여증결，경준학지파악막언적역사개치관여문학창작。
With an eye on Chinese twentieth Century history, Mo Yan’s historical novels reveal the true lives and fates of folks in different historic periods with a sense of both absurdness and solemnity. Plump Breast and Hip makes a trial in historical narration art in a way which a breast-addicted character is designed to recount the folk history. Based on a detailed study on the writer’s narrating skill, civilian position as well as the related cultural metaphors behind his writing, this paper aims to help readers understand the historical crux of modern history and its complexity, and comprehend Mo Yan’s historical value and literary creation.