湖北工业职业技术学院学报
湖北工業職業技術學院學報
호북공업직업기술학원학보
Journal of Shiyan Technical Institute
2015年
2期
67-69,87
,共4页
明清白话小说%道教%世俗化%融合%消解
明清白話小說%道教%世俗化%融閤%消解
명청백화소설%도교%세속화%융합%소해
Vernacular novels of Ming and Qing Dynasties%Taoism%secularization%fusion%deconstruction
文学尤其是小说作品中,道教自元明以来逐渐从神圣走向世俗。尤其是明清两代的白话小说对道教的这一地位的变化起到了推波助澜的作用,在神魔题材、道教形象和情节结构方面对道教的神圣传统进行了全面融合与消解,加速了道教世俗化的步伐。
文學尤其是小說作品中,道教自元明以來逐漸從神聖走嚮世俗。尤其是明清兩代的白話小說對道教的這一地位的變化起到瞭推波助瀾的作用,在神魔題材、道教形象和情節結構方麵對道教的神聖傳統進行瞭全麵融閤與消解,加速瞭道教世俗化的步伐。
문학우기시소설작품중,도교자원명이래축점종신골주향세속。우기시명청량대적백화소설대도교적저일지위적변화기도료추파조란적작용,재신마제재、도교형상화정절결구방면대도교적신골전통진행료전면융합여소해,가속료도교세속화적보벌。
Taoism from the Yuan and Ming dynasty has been gradually reduced from the sacred to the secular in the novels. This phenomenon is particularly prominent in the vernacular novels in the Ming and Qing Dynasties. These novels deconstruct the sacred tradition of Taoism in the facet of mythical themes, Taoist image and plot structure.