CAJ | 학술논문

贾克?玛奎是首次明确提出“审美人类学”这门学科并对之进行系统建构的人类学家。他对审美人类学的研究对象、研究方法和概念范畴提出了许多富有创见的界定；他对审美经验进行了泛人类的考察，确定了美感沉思和非工具性形式在审美人类学研究中的中心地位；他根据人类学的文化整体观与文化唯物主义，确定了生产技术、社会网络和观念构形作为审美人类学文化分析的三个基本要素的重要性；他成功地将美学研究引入到人类学视野中，对这两门学科的交叉融合与相互借鉴有不可忽视的开创之功。
가극?마규시수차명학제출“심미인류학”저문학과병대지진행계통건구적인류학가。타대심미인류학적연구대상、연구방법화개념범주제출료허다부유창견적계정；타대심미경험진행료범인류적고찰，학정료미감침사화비공구성형식재심미인류학연구중적중심지위；타근거인류학적문화정체관여문화유물주의，학정료생산기술、사회망락화관념구형작위심미인류학문화분석적삼개기본요소적중요성；타성공지장미학연구인입도인류학시야중，대저량문학과적교차융합여상호차감유불가홀시적개창지공。
As the first anthropologist who coined the term “aesthetic anthropology”, Jacques Maquet con-structed the system of this discipline.He proposed many original ideas for the study object, method and conceptual category of the discipline.Also, he investigated the pan-human foundation of aesthetic experi-ence and defined the core of aesthetic contemplation and non-instrumental form in aesthetic anthropology. According to cultural holism and cultural materialism, he considered production technology, social net-work and conceptual formation as the three key elements of cultural analysis of aesthetic anthropology. Furthermore, he successfully introduced aesthetics into anthropological category, and he is a remarkable pioneer in the integration of aesthetics and anthropology.