CAJ | 학술논문

从园林建造角度看，作为综合运用一定艺术手法的活动成果，园林可以界定为综合性艺术品；而从园林呈现方式来看，园林则可以界定为空间环境。园林的这种二重性决定了对其欣赏方式的双重性。中国园林批评家陈从周的园林欣赏理论主要着眼于园林作为艺术品的特性，而当代环境美学的代表人物伯林特则将中国园林视为审美环境来进行欣赏。二人从不同的理论视野出发做的中国园林分析，分别代表着园林欣赏的艺术模式和环境模式。只有将艺术欣赏模式和环境欣赏模式有机地结合起来，才能恰当而正确地欣赏中国园林。
종완림건조각도간，작위종합운용일정예술수법적활동성과，완림가이계정위종합성예술품；이종완림정현방식래간，완림칙가이계정위공간배경。완림적저충이중성결정료대기흔상방식적쌍중성。중국완림비평가진종주적완림흔상이론주요착안우완림작위예술품적특성，이당대배경미학적대표인물백림특칙장중국완림시위심미배경래진행흔상。이인종불동적이론시야출발주적중국완림분석，분별대표착완림흔상적예술모식화배경모식。지유장예술흔상모식화배경흔상모식유궤지결합기래，재능흡당이정학지흔상중국완림。
In light of garden construction, the garden, the achievement of applying certain artistic skills, can be defined as a comprehensive art work;and in light of the presentation of gardens, it can be defined as a space environment. This duality of the garden decides the dual mode in its appreciation. Chen Congzhou, a Chinese garden critic, developed his theory that mainly focuses on the art characteristics, while Berleant, a representative of the contemporary environment aesthetics took it to be an aesthetic environment. These two theories represents respectively art mode and environment mode. Only by integrating the two can we properly and correctly appreciate Chinese gardens.