新疆大学学报(哲学·人文社会科学版)
新疆大學學報(哲學·人文社會科學版)
신강대학학보(철학·인문사회과학판)
JOURNAL OF XINJIANG UNIVERSITY(PHILOSOPHY,HUMANITIES & SOCIAL SCIENCES)
2015年
1期
115-118
,共4页
元曲%音韵%北方民族%语言文化
元麯%音韻%北方民族%語言文化
원곡%음운%북방민족%어언문화
Yuanqu%Rhyme%Northern Nationalities%language and Culture
元曲在艺术形式上具有四声通押、一韵到底、不分平仄、对仗自由、多用衬字等特点。这些特点均打破了长久以来的汉文诗歌格律规范。元代周德清创作《中原音韵》试图改变以往依东南语音为主的音韵格律,制定元曲的音韵格律。但实际上元曲的音韵格律依旧是自由灵活的面貌。影响元曲的音韵格律不仅是中原地区的汉语语音,北方少数民族语言介入中原后,在很大程度上干扰了元曲的格律。四声通押、不分平仄与北方少数民族语言不分声调有关,多用衬字与北方少数民族多音节语汇特点密不可分。
元麯在藝術形式上具有四聲通押、一韻到底、不分平庂、對仗自由、多用襯字等特點。這些特點均打破瞭長久以來的漢文詩歌格律規範。元代週德清創作《中原音韻》試圖改變以往依東南語音為主的音韻格律,製定元麯的音韻格律。但實際上元麯的音韻格律依舊是自由靈活的麵貌。影響元麯的音韻格律不僅是中原地區的漢語語音,北方少數民族語言介入中原後,在很大程度上榦擾瞭元麯的格律。四聲通押、不分平庂與北方少數民族語言不分聲調有關,多用襯字與北方少數民族多音節語彙特點密不可分。
원곡재예술형식상구유사성통압、일운도저、불분평측、대장자유、다용츤자등특점。저사특점균타파료장구이래적한문시가격률규범。원대주덕청창작《중원음운》시도개변이왕의동남어음위주적음운격률,제정원곡적음운격률。단실제상원곡적음운격률의구시자유령활적면모。영향원곡적음운격률불부시중원지구적한어어음,북방소수민족어언개입중원후,재흔대정도상간우료원곡적격률。사성통압、불분평측여북방소수민족어언불분성조유관,다용츤자여북방소수민족다음절어회특점밀불가분。
Yuanqu (a type of verse for singing) are characterized by rhyming on the four tones, thorough rhyming, no difference between level and oblique tones, free antithesis, and frequent use of words inserted in a line of verse for balance or euphony. These characteristics broke the classical Chinese poetic rhyming norms. The rhyming on the four tones and no difference between level and oblique tones are associated with the northern ethnic minority languages. The frequent use of words inserted in a line of verse for balance or euphony is closely connected with the multi-syllable vocabulary of the northern ethnic minority languages.