河南工程学院学报(社会科学版)
河南工程學院學報(社會科學版)
하남공정학원학보(사회과학판)
JOURNAL OF HENAN INSTITUT OF ENGINEERING(SOCIAL SCIENCE EDITION)
2015年
1期
83-85
,共3页
刘呐鸥%身体叙事%符号特征%文化建构%话语权利
劉吶鷗%身體敘事%符號特徵%文化建構%話語權利
류눌구%신체서사%부호특정%문화건구%화어권리
Liu Naou%body narrative%symbolic features%cultural construction%discourse power
作为新感觉派的先行者,刘呐鸥以独特的笔触描摹着上海大都市生活中的女性躯体。小说中对于女性的身体叙事,迎合了以享乐为题旨的消费文化。正是这种身体异化背后的文化建构,揭示了男性话语权利的中心地位仍未改变的事实。
作為新感覺派的先行者,劉吶鷗以獨特的筆觸描摹著上海大都市生活中的女性軀體。小說中對于女性的身體敘事,迎閤瞭以享樂為題旨的消費文化。正是這種身體異化揹後的文化建構,揭示瞭男性話語權利的中心地位仍未改變的事實。
작위신감각파적선행자,류눌구이독특적필촉묘모착상해대도시생활중적녀성구체。소설중대우녀성적신체서사,영합료이향악위제지적소비문화。정시저충신체이화배후적문화건구,게시료남성화어권리적중심지위잉미개변적사실。
As a pioneer of the New-feeling genre,Liu Naou depicts the female body in the metropolitan life of Shanghai with his unique brushstrokes. The female body narrative in Liu Naou's novels caters for the consumer cul-ture whose purpose is pleasure. It is the cultural construction behind the body heterization that reveals the fact that the male discourse power on the leading position is still not changed.