CAJ | 학술논문

以斯坦纳为代表的“悲剧消亡论”认为，悲剧在现代已经消亡。从作为一种戏剧形式的悲剧来说，斯坦纳的观点具有其合理性。威廉斯认为不能仅从悲剧传统来论述悲剧，应将悲剧传统和悲剧经验相结合。每个时代都有其包含特定情感结构的悲剧经验，从悲剧经验入手，悲剧在现代并没消亡，而是表现为革命悲剧。延续威廉斯的这一思路，悲剧观念在当代已广泛渗入到以电视、电影为代表的视觉媒介之中，悲剧在当代表现为一种文化悲剧。
이사탄납위대표적“비극소망론”인위，비극재현대이경소망。종작위일충희극형식적비극래설，사탄납적관점구유기합이성。위렴사인위불능부종비극전통래논술비극，응장비극전통화비극경험상결합。매개시대도유기포함특정정감결구적비극경험，종비극경험입수，비극재현대병몰소망，이시표현위혁명비극。연속위렴사적저일사로，비극관념재당대이엄범삼입도이전시、전영위대표적시각매개지중，비극재당대표현위일충문화비극。
The theory of the death of tragedy represented by George Steiner thinks that tragedy is dead in modern era .In terms of tragedy as a form of drama ,Steiner’s idea is of rationality .Williams thinks that we could not discuss tragedy only from the tradition of tragedy ,but should combine the tradition of tragedy with the experience of tragedy .Every era has its own experience of tragedy with its special emotional structure .Looked from the experience of tragedy ,tragedy has not died in modern time ,but shown a revolutionary tragedy .Continued with the line of Williams ,the notion of tragedy has widely pierced into the visual media represented by TV ,film ,etc .In modern time ,tragedy has become a kind of culture .