CAJ | 학술논문

20世纪70年代以前，由于社会历史语境的限制，黑人女作家只能选择适合自己的有限叙述策略来讲述女性的故事。为了建构自己声音的权威，黑人女性小说家在该时期主要采取了作者型叙述交流模式。这种模式一方面模糊了叙述者的种族与性别身份，另一方面第三人称作者型叙述声音模仿历史叙述，显得相对客观，有利于建构黑人女性声音的可信度，从而有利于建构女性声音的权威。左拉·尼尔·赫斯顿、波勒·马歇尔和托妮·莫里森都是带着这种性别模糊的“他”面具，偷偷参与以男性为主宰的社会话语权威建构。
20세기70년대이전，유우사회역사어경적한제，흑인녀작가지능선택괄합자기적유한서술책략래강술녀성적고사。위료건구자기성음적권위，흑인녀성소설가재해시기주요채취료작자형서술교류모식。저충모식일방면모호료서술자적충족여성별신빈，령일방면제삼인칭작자형서술성음모방역사서술，현득상대객관，유리우건구흑인녀성성음적가신도，종이유리우건구녀성성음적권위。좌랍·니이·혁사돈、파륵·마헐이화탁니·막리삼도시대착저충성별모호적“타”면구，투투삼여이남성위주재적사회화어권위건구。
Before the 1970s, given the specific socio?historical context, black women have to choose special narrative strategies to tell their stories. During this period, almost all the black women novelists take the authorial narrative communication in their novels. Masked by a race?gender?neutral narrative mode, black women novelists learn from the historians to tell their stories with a third?person omniscient narrator, which seems to make their narrative more objective and reliable. In this way, the authorial nar?rative communication has allowed black women such as Zora Neale Hurston, Paule Marshall and Toni Morrison access to male authority with a “He” mask.