CAJ | 학술논문

相似曲式结构的辨析是音乐作品分析中的重点和难点。依据不同的分类方式和标准，对同一音乐作品的曲式结构可能得出不同的分析结论。因此，在分析时需要准确把握可能出现混淆的两类曲式之间的异同，对作品结构进行准确区分。在《四季》中，曲式结构辨析主要集中在对单三部曲式与复三部曲式的认定上，如其中的《四月——松雪草》《十月——秋之歌》，不同的研究者对作品的曲式结构就得出了不同的分析结论。
상사곡식결구적변석시음악작품분석중적중점화난점。의거불동적분류방식화표준，대동일음악작품적곡식결구가능득출불동적분석결론。인차，재분석시수요준학파악가능출현혼효적량류곡식지간적이동，대작품결구진행준학구분。재《사계》중，곡식결구변석주요집중재대단삼부곡식여복삼부곡식적인정상，여기중적《사월——송설초》《십월——추지가》，불동적연구자대작품적곡식결구취득출료불동적분석결론。
It is the key and difficult point to differentiate the similar music structures. Different conclusions can be made about the formal structure of the same piece of music according to different methods and standards of classification. Therefore, it is necessary to identify the similarities and differences between two kinds of the formal structure, which are easily confused. In Four seasons, differentiation of formal structure mainly lies in the identification of single trilogy and double trilogy types, such as April—Schneeglolckchen and October—Song of Autumn, and different researchers arrive at different conclusion about formal structure of the music.