CAJ | 학술논문

动画具有高度简化现实世界的特点，其中影片主旨和风格的确立通常是由角色造型来显示和表达的。以动画符号学为理论依据，借助动画角色造型的符号化特征而对法国动画电影《叽哩咕与女巫》中所汲取的西非民间传统元素在影片角色造型上的创作手法和对影片整体的影响进行分析，探究符号意义及其影响力，希望能对中国动画的创作有所借鉴和启发。
동화구유고도간화현실세계적특점，기중영편주지화풍격적학립통상시유각색조형래현시화표체적。이동화부호학위이론의거，차조동화각색조형적부호화특정이대법국동화전영《교리구여녀무》중소급취적서비민간전통원소재영편각색조형상적창작수법화대영편정체적영향진행분석，탐구부호의의급기영향력，희망능대중국동화적창작유소차감화계발。
Animation has the characteristics of highly simpliifed real world in which the establishment of the movie theme and style is usually composed of role modeling. Based on animation semiotics, using symbolic characteristic of animation role modeling, this paper analyzes the inlfuence of West African folk creation of traditional elements in role modeling and explores the symbolic signiifcance and inlfuence in the French cartoon iflm"Kirikou and the sorceress", hoping to have reference and inspiration to Chinese animation creation.