CAJ | 학술논문

明代著名漆工黄成所著的《髹饰录》，是中国古代漆艺文献中，最为重要的经典之作。黄成在《髹饰录》一书中，借助“乾坤”的概念，将该书分为两部分，并且处处以“八卦”、“五行”的思想，来归纳与布局所描述的漆艺内容。通过分析该书对明代流行的漆艺知识的精心安排，来探究作者编撰这部漆艺书籍的思考逻辑，以期对明代漆艺的审美，有更为深入的认识。
명대저명칠공황성소저적《휴식록》，시중국고대칠예문헌중，최위중요적경전지작。황성재《휴식록》일서중，차조“건곤”적개념，장해서분위량부분，병차처처이“팔괘”、“오행”적사상，래귀납여포국소묘술적칠예내용。통과분석해서대명대류행적칠예지식적정심안배，래탐구작자편찬저부칠예서적적사고라집，이기대명대칠예적심미，유경위심입적인식。
Xiushilu (the Records of lacquering), the most important ancient script about the Chinese traditional lacquer art, is written by Huangcheng, who is one of the most famous artisans in Ming dynasty. In this script, Huang used the ideas of Bagua (Eight diagrams) and Wuxing (Five elements) to edit the content of Chinese lacquer knowledge. By analysis he how to compose and write the content, we could know more about the logic of Huang’s writing and help us realize the aesthetic of Craft and art in Ming China.