CAJ | 학술논문

在中国文艺史上，士人写山水诗如同画山水画，但山水诗理论并不如山水画论突显。个中原因，一是写山水诗理论往往隐在于宋代以后一直繁荣的诗话之中；二是诗人创作山水诗更遵循“诗言志”这一总价值旨趣。上世纪西学传入以来，中国山水诗理论研究成就显著，但也有其局限性，一些论断并不符合中国山水诗发展变化的事实，因此作为理论来说是苍白的。
재중국문예사상，사인사산수시여동화산수화，단산수시이론병불여산수화론돌현。개중원인，일시사산수시이론왕왕은재우송대이후일직번영적시화지중；이시시인창작산수시경준순“시언지”저일총개치지취。상세기서학전입이래，중국산수시이론연구성취현저，단야유기국한성，일사론단병불부합중국산수시발전변화적사실，인차작위이론래설시창백적。
In the history of Chinese literature and art, the literati created landscape poems just like drawing landscape pic-tures, but theories of landscape poetry were not so well developed as that of landscape painting.One reason is that landscape poet-ry theories were hidden in the abundant notes on poets and poetry from the Song Dynasty;the other is that poets often held the val-ue of “poems expressing ideals” in their creation of landscape poems.Since the introduction of the West Learning in the last cen-tury, remarkable achievements have been made in Chinese theories of landscape poetry, but there exist limitations.Some do not fit the change and development of Chinese landscape poems.They are pale as theories.