CAJ | 학술논문

“现成品”艺术作为西方现当代艺术实践的重要形式，自杜尚以来不断开拓艺术实践的现实疆域，在波普艺术运动中更是达到全面发展。波普艺术家通过对“现成品”实践方式，强化了波普艺术的大众性。文章就波普艺术家现成品实践的理论背景、创作态度和实践形式进行梳理，对其方式、样态、诉求进行比较分析，归纳了“现成品”艺术实践在波普艺术中所呈现出来的主要倾向，讨论其间“现成品”实践的形式变迁，以此揭示波普艺术的形式特征及对当代艺术的观念影响。
“현성품”예술작위서방현당대예술실천적중요형식，자두상이래불단개탁예술실천적현실강역，재파보예술운동중경시체도전면발전。파보예술가통과대“현성품”실천방식，강화료파보예술적대음성。문장취파보예술가현성품실천적이론배경、창작태도화실천형식진행소리，대기방식、양태、소구진행비교분석，귀납료“현성품”예술실천재파보예술중소정현출래적주요경향，토론기간“현성품”실천적형식변천，이차게시파보예술적형식특정급대당대예술적관념영향。
The ready-made art, as an important form of the western modern and contemporary art creation, has not only contin-uously expanded the realistic territory of art creation since Duchampˊs times, but also achieved the comprehensive development in the Pop art movement. Pop artists strengthen the popularity of Pop art through the creating forms of ready-made products. Based on the study of the theoretical background, creating attitudes and creating forms of Pop artistsˊready-made products and the comparative analysis of their ways, patterns and demands, this article sums up the main tendency manifested in the Pop art in the process of creating the ready-made products, aiming to reveal the formal characteristics of Pop art and the influence on the concept of contemporary art.