CAJ | 학술논문

唐以后的吴体诗外延不断扩大，不利于人们客观认识其特征，唐代确为吴体的只有杜甫、皮日休和陆龟蒙的9首题标“吴体”诗。归纳七言永明声律规范，统计病犯数据，比对合律情况，结果显示：吴体专指七言八句平韵体，讲究对仗，四声分立，特别注重第四、七字四声相对（同平声除外），以及第七、十四字的平仄相对（首句入韵除外），句与句、联与联之间的声律联属度略低，由合律的单句随意堆叠而成，声律上属宽泛的永明声律。
당이후적오체시외연불단확대，불리우인문객관인식기특정，당대학위오체적지유두보、피일휴화륙구몽적9수제표“오체”시。귀납칠언영명성률규범，통계병범수거，비대합률정황，결과현시：오체전지칠언팔구평운체，강구대장，사성분립，특별주중제사、칠자사성상대（동평성제외），이급제칠、십사자적평측상대（수구입운제외），구여구、련여련지간적성률련속도략저，유합률적단구수의퇴첩이성，성률상속관범적영명성률。
The denotation of Wu-style poetry began to constantly expand after Tang Dynasty. This fact is adverse to our objective understanding of the Wu-style poetry’s characteristics. There are only nine poems with the title of Wu-style which were written by Du Fu,Pi Rixiu and Lu Guimeng were identified as Wu-style in Tang Dynasty. Through the generalization of the rhythm norm of seven-character-Yong Ming,the statistics of the mistakes of Wu-style poetry,and the comparison of compound rhythm,the re-sults show that the Wu-style specifically refers to the seven-character-triolet with flat rhyme. Wu-style poetry is very particular o-ver the antithesis and four tones separation. It pays special attention to four tones’ opposition of four words and seven words,ex-cept the level tone. It also lays emphasis on level and oblique tones’ opposition of seven words and fourteen words,except the rhyme of first sentence. In Wu-style poetry,the affiliate degree of rhythm between the sentences and couplets is slightly low. The Wu-style poetry combines the simple sentence with compound rhythm,and its rhythm belongs to the broad Yong-Ming-style rhythm.