CAJ | 학술논문

画学文献是绘画发展的重要组成部分，是反映历史某一时期绘画发展的重要参照。清代画学文献打破了前代的格局，在画学思想上显得更为自信，更为主观。但近代的画学研究对清代绘画持一种指责的态度，认为清代绘画是中国画断脉疲敝之根源。然从画学文献考证来看，清代绘画，既没有脱离传统也没有固步自封，有其新的特点和独到之处。
화학문헌시회화발전적중요조성부분，시반영역사모일시기회화발전적중요삼조。청대화학문헌타파료전대적격국，재화학사상상현득경위자신，경위주관。단근대적화학연구대청대회화지일충지책적태도，인위청대회화시중국화단맥피폐지근원。연종화학문헌고증래간，청대회화，기몰유탈리전통야몰유고보자봉，유기신적특점화독도지처。
Painting literature is an important part of the development of the painting,which is a period reflect history painting development important reference. The Qing dynasty painting literature broke the previous generation pattern,the painting thoughts appeared more confident and more subjective. But modern painting studies in the Qing dynasty painting have an accused attitude, they think the Qing dynasty painting is the root of Chinese painting broken veins. But from the painting literature research to see ,The Qing dynasty painting, neither from traditional nor to be conceited, it has new characteristics and unique feature.