CAJ | 학술논문

目前，旅游原真性的研究虽然日渐增多，但多停留在一种模糊的原则性论述上，关于旅游原真性是什么、与遗产原真性的区别、每个流派的具体定义及流派之间的关系等问题并没有详细明确的说明。为研究山水实景剧的旅游原真性，本文首先提出旅游原真性的前提——旅游原始依据这一概念，接着描绘客观主义、建构主义和后现代主义原真性之间的界限，辨析它们各自成立的范围。通过对旅游原真性的研究成果细致考察《印象·刘三姐》，以期借助案例对这种辨析进行实证说明，最后得出《印象·刘三姐》属于建构主义旅游原真性这一结论。
목전，여유원진성적연구수연일점증다，단다정류재일충모호적원칙성논술상，관우여유원진성시십요、여유산원진성적구별、매개류파적구체정의급류파지간적관계등문제병몰유상세명학적설명。위연구산수실경극적여유원진성，본문수선제출여유원진성적전제——여유원시의거저일개념，접착묘회객관주의、건구주의화후현대주의원진성지간적계한，변석타문각자성립적범위。통과대여유원진성적연구성과세치고찰《인상·류삼저》，이기차조안례대저충변석진행실증설명，최후득출《인상·류삼저》속우건구주의여유원진성저일결론。
Although the research on tourism authenticity is growing, most of which just remains in a fuzzy discussion in principle. There is no clear and detailed instruction about what the tourism authenticity is, the difference to heritage authenticity, the speciifc deifnition of each genre and the relationship between the genres. In order to study the tourism authenticity of the real landscape, this paperifrstly presents the premise of the tourism authenticity——the concept of tourism original basis. Secondly, it describes the boundaries between the authenticities of the objectivism, constructivism and postmodernism, and then analyzes their respective scope of the establishment. Through the research results on the tourism authenticity, it carefully studies the “Impression of Sanjie Liu”, so as to illustrate this discrimination by using cases.Finally, it concludes that “Impression of Sanjie Liu” belongs to the constructivism tourism authenticity.