CAJ | 학술논문

在重写文学史中重新确立的新的文学规范，试图把过去作为政治依附品的文学解放出来，让文学成为具有其个性的独立个体。人作为其中重要的一环，人在文学作品评价中的“主体性”是一个十分重要的关键词，而蓝棣之的症候式批评方法，正是通过探析作者的深层精神世界，完成对作品的再评价，是在强调主体性前提下以一种极具个性眼光进行的一种重写文学史的实践。
재중사문학사중중신학립적신적문학규범，시도파과거작위정치의부품적문학해방출래，양문학성위구유기개성적독립개체。인작위기중중요적일배，인재문학작품평개중적“주체성”시일개십분중요적관건사，이람체지적증후식비평방법，정시통과탐석작자적심층정신세계，완성대작품적재평개，시재강조주체성전제하이일충겁구개성안광진행적일충중사문학사적실천。
The new literary norm established again in rewriting the history of literature,tried to release the literature which used to be the political attachment to make literature become the new individual of specific personality.As one of the important part,human’s subj ectivity in literature evaluation is a very important keyword.While,Lan dizhi’s symptomatic criticism,which is through analyzing the author’s deep spiritual world,completed the reevaluation of the work,is a practice to rewrite the literature with a unique perspective based on emphasizing the premise of subj ectivity.