陶瓷学报
陶瓷學報
도자학보
JOURNAL OF CERAMICS
2015年
2期
211-216
,共6页
明清%陈设陶瓷%纹饰%符号学
明清%陳設陶瓷%紋飾%符號學
명청%진설도자%문식%부호학
Ming and Qing Dynasties%ornamental ceramics%decorative pattern%semiotics
明清民居室内陈设陶瓷具有深厚的文化底蕴和艺术意义,尤以其陶瓷装饰纹样为代表。本文运用符号学的理论和方法对明清民居陈设陶瓷的花卉纹饰进行分析和归纳,探寻其携带的大量的社会信息,揭示其蕴含的艺术和文化的价值。
明清民居室內陳設陶瓷具有深厚的文化底蘊和藝術意義,尤以其陶瓷裝飾紋樣為代錶。本文運用符號學的理論和方法對明清民居陳設陶瓷的花卉紋飾進行分析和歸納,探尋其攜帶的大量的社會信息,揭示其蘊含的藝術和文化的價值。
명청민거실내진설도자구유심후적문화저온화예술의의,우이기도자장식문양위대표。본문운용부호학적이론화방법대명청민거진설도자적화훼문식진행분석화귀납,탐심기휴대적대량적사회신식,게시기온함적예술화문화적개치。
Ornamental ceramics placed in local-style dwelling houses in Ming and Qing Dynasties are imbued with cultural and artistic meanings, particularly so are the decorative patterns on them. This paper is to analyze the lforal patterns on ornamental ceramics in dwelling houses during this period, to summarize their styles, to explore their social implications, and to reveal their art and cultural values.