CAJ | 학술논문

《法国中尉的女人》作为后现代主义实验小说，其所反映的女性与自由的主题历来备受关注，书中刻画的新女性莎拉也往往被解读为女性自由和解放的象征。约翰·福尔斯在书中呈现了女性的三种自由：社会自由、存在自由和叙述自由。通过这三种自由的可能性探讨，有助于更好地理解莎拉作为新女性与欧内斯特蒂娜的传统女性角色之间的方方面面的巨大反差，并揭露出男权社会压抑女性的自我意识的严酷事实，以及女性在面对外部社会环境的压制时保持自我所面临的困境。
《법국중위적녀인》작위후현대주의실험소설，기소반영적녀성여자유적주제력래비수관주，서중각화적신녀성사랍야왕왕피해독위녀성자유화해방적상정。약한·복이사재서중정현료녀성적삼충자유：사회자유、존재자유화서술자유。통과저삼충자유적가능성탐토，유조우경호지리해사랍작위신녀성여구내사특체나적전통녀성각색지간적방방면면적거대반차，병게로출남권사회압억녀성적자아의식적엄혹사실，이급녀성재면대외부사회배경적압제시보지자아소면림적곤경。
As an experimental postmodern novel, The French Lieutenant's Woman, which embeds the issue of woman and freedom, has been frequently targeted, while the new woman, Sarah, has been extolled as the symbol of woman's freedom and emancipation. John Fowles presents three kinds of freedom for woman:social freedom, existential freedom and nar-rative freedom. Through the analysis of these three kinds of freedoms, it is possible to better comprehend the big contrast between Sarah, the new woman, and Ernestina, the conventional Victorian woman, and to see how society stifles women's self-awareness and how women succeed or fail to maintain their selves confronting the cruel social restrictions.