CAJ | 학술논문

从对本体论的质疑、对语义分析方法论的质疑，克兰评判了新批评语言本体工具性功能研究的模式。从愉悦的目的对知识建构目的的置换，克兰以审美效应或者说愉悦效果取代了作品功用性存在的意义，对形式批评重新定位。从本体性与整体性原则的不同，克兰批判了本质性特征的价值判断，将文学批评的实践目的定位在结构组合的整体性原则上。在对新批评之批评与继承的基础上，克兰建构了自己的伦理修辞理论。
종대본체론적질의、대어의분석방법론적질의，극란평판료신비평어언본체공구성공능연구적모식。종유열적목적대지식건구목적적치환，극란이심미효응혹자설유열효과취대료작품공용성존재적의의，대형식비평중신정위。종본체성여정체성원칙적불동，극란비판료본질성특정적개치판단，장문학비평적실천목적정위재결구조합적정체성원칙상。재대신비평지비평여계승적기출상，극란건구료자기적윤리수사이론。
From the question of Ontology and the question of semantic analysis method, Crane criti?cizes study model of ontology tools of language of the New Criticism. From pleasant purpose to knowledge construction, he replaces the existing works of functional significance to aesthetic effect, re?positioning the Form Criticism. From difference between ontology and the whole principle, he criticiz?es the essential features of the value judgment of the former, positioning practice of literary criticism on the principle of the overall structure. Based on the criticism and inheritance of the New Criti?cism, Crane constructs his own rhetoric.