CAJ | 학술논문

美国作家赛珍珠以《大地》等中国题材小说获得了1938年的诺贝尔文学奖，在以“中国小说”为题的授奖演说中，赛珍珠系统论述了自己小说创作的“中国经验”：“为了让平民高兴”的写作观念、“故事的天才之水”的叙事风格、“人物高于一切”的形象塑造。这些“中国经验”构成了赛珍珠小说创作的重要精神资源与艺术储备，并在作品中以多种审美样态呈现出来。赛珍珠的“中国经验”与莫言等中国本土作家的“中国经验”同中有异，互为参照，相映成趣，共同成就了中国小说异彩纷呈的艺术表现。
미국작가새진주이《대지》등중국제재소설획득료1938년적낙패이문학장，재이“중국소설”위제적수장연설중，새진주계통논술료자기소설창작적“중국경험”：“위료양평민고흥”적사작관념、“고사적천재지수”적서사풍격、“인물고우일절”적형상소조。저사“중국경험”구성료새진주소설창작적중요정신자원여예술저비，병재작품중이다충심미양태정현출래。새진주적“중국경험”여막언등중국본토작가적“중국경험”동중유이，호위삼조，상영성취，공동성취료중국소설이채분정적예술표현。
American Pearl Buck won the Nobel Prize for literature for her novel The Good Earth with Chinese subject matter and in her speech entitled“The Chinese Novel”, she systematically ex?pounds her“Chinese experiences”in her novel writing: writing concept“in order to please the civil?ian”, narrative style of“Gifted waterflow of the story”, and the characterization of the“superiority of characters”. These“Chinese experience”is the main spiritual resource of her writing and artistic res?ervation, and reflected in various aesthetic form in her works. The“Chinese experience”of Pearl Buck is similar to that of the Chinese writers such as MO Yan with differences and references. It contributes to the variety of artistic expression in Chinese novels.