CAJ | 학술논문

虽然米芾在“集古字”的过程中转益多师，但总的来说，米芾“集古字”可以分为两个阶段，32岁之前是“广泛集古”阶段，其后进入“定向集古”阶段，并开辟了一种新的“临古—集古—通变”的学习方式，即“以我为主学古人”。米芾“集古字”有三个层次的意义，其一是集“字”，其二是集“方法”，其三是集“文化”。而“定向集古”阶段的主要取法对象是“二王”为代表的魏晋书法，在此过程中，米芾“集古字”不仅促进了“二王”法帖的鉴藏、摹刻与传播，也保证了“二王”法脉的传承，对其后的书法发展产生了深远的影响。
수연미비재“집고자”적과정중전익다사，단총적래설，미비“집고자”가이분위량개계단，32세지전시“엄범집고”계단，기후진입“정향집고”계단，병개벽료일충신적“림고—집고—통변”적학습방식，즉“이아위주학고인”。미비“집고자”유삼개층차적의의，기일시집“자”，기이시집“방법”，기삼시집“문화”。이“정향집고”계단적주요취법대상시“이왕”위대표적위진서법，재차과정중，미비“집고자”불부촉진료“이왕”법첩적감장、모각여전파，야보증료“이왕”법맥적전승，대기후적서법발전산생료심원적영향。
Mi Fu learned from other masters in the process of creating“Jiguzi”, which could be classified into two periods:broad sucking before he was 32 years old, then“directional Jigu”, opening a new learning style of“copy-accumulation-transformation”, that is, learning from the ancients based on self -centered style.Mi Fu’ s“Jiguzi” conveyed three meanings:first, the character itself;second, the method;third, the culture.The object for the “directional Jigu” is the calligraphy in Wei-Jin Dynasty, represented by Wang Xizhi and Wang Xianzhi. Mi Fu’ s“Jiguzi” promoted the collection, carving and the wide spread of writing scripts of“Two Wangs”, and en-sured the inheritance of Two Wangs’ calligraphy styles, which produced great influence on the later development of calligraphy.