CAJ | 학술논문

影像屈原的建构既要有多元充足的类别与生动丰满的个案，也要尽可能让一些经典个案富含多层的意蕴。影像屈原体类建构的主流目标应该是正格的历史悲剧。从悲剧主体来看，它既是个人命运的悲剧，也是国家民族的悲剧。从悲剧本身的类别与层次来看，它既是社会政治的悲剧，也是历史文化的悲剧与道德理想的悲剧。影像屈原的构建终归要落实到叙事艺术上来，其中重点是人物形象的塑造、情节结构的安排与话语方式的讲求，要注意历史与逻辑的统一、宏观与微观的结合、文学与影像的互动。
영상굴원적건구기요유다원충족적유별여생동봉만적개안，야요진가능양일사경전개안부함다층적의온。영상굴원체류건구적주류목표응해시정격적역사비극。종비극주체래간，타기시개인명운적비극，야시국가민족적비극。종비극본신적유별여층차래간，타기시사회정치적비극，야시역사문화적비극여도덕이상적비극。영상굴원적구건종귀요락실도서사예술상래，기중중점시인물형상적소조、정절결구적안배여화어방식적강구，요주의역사여라집적통일、굉관여미관적결합、문학여영상적호동。
The construction of the image of Qu Yuan requires multiple abundant classification and vivid colorful individual cases, and also endows multi-dimensions of meanings to some classical cases. The main purpose of the con-struction of the image of Qu Yuan and such kind of images should be formal historical tragedies. From the subject of the tragedy, it is not only an individual’s tragedy, but also the tragedy of the nation. From the type and level, it is a so-cial and political, historical and cultural, moral and ideal tragedy. The construction of the image of Qu Yuan finally will be demonstrated by narrative art with the emphasis on the shape of image, organization of the plots and ways of dis-course. Historical and logical unity, macro and micro integration, literary and image interaction should be paid atten-tion to during the process.