CAJ | 학술논문

传统漆艺在中国具有悠久的历史，可以追溯到新石器时代。天然大漆给人一种亲切温润的感觉，质感上淳厚朴素，有种东方世界特有的神秘朦胧之感。漆艺制作经常会从生活中提取题材，用一种形式美让观赏者感受，在表现手段上有着丰富多彩的肌理美、质材美。漆艺有自己本身的色彩语言，以含蓄深沉为主，漆可以给所有的材料色彩上的丰富，让它具有一种特别的视觉上的美妙。中国的传统漆艺在时代发展的进程中，与所处时期的物质文化和精神文化融会贯通、相互促进。
전통칠예재중국구유유구적역사，가이추소도신석기시대。천연대칠급인일충친절온윤적감각，질감상순후박소，유충동방세계특유적신비몽롱지감。칠예제작경상회종생활중제취제재，용일충형식미양관상자감수，재표현수단상유착봉부다채적기리미、질재미。칠예유자기본신적색채어언，이함축심침위주，칠가이급소유적재료색채상적봉부，양타구유일충특별적시각상적미묘。중국적전통칠예재시대발전적진정중，여소처시기적물질문화화정신문화융회관통、상호촉진。
Traditional lacquer has a long history in China , the earliest dating back to Neolithic times.Nat-ural lacquer gives a warm intimate feeling , the texture of plain honest , kind of a sense of unique oriental mystery hazy world.Lacquer production is often extracted from the creator of life among subjects with a formal beauty to make the viewer feel , in the means of expression which has a colorful texture beauty, quality materi-al beauty.Lacquer has its own color language itself , in a subtle deep -based paint giving a rich color on all of the material , and it has a wonderful a particular visual.In the traditional Chinese lacquer era, the time pe-riod of the existence of material culture and spiritual culture of mutual mastery are in the mutual promotion .